Monday, July 22, 2013

Window Pain

There is a man
with a window
for a face.

He is perturbed;
it troubles him
because
he can’t see out
but any(every)one can see in.

The rotten hair curtains
hang down—frame his edges—
but do not offer any protection.
they are lacerated
beyond repair:
worms of death and decay
have torn each into each.

Each day he feels
the uniqueness of
the people who pass him—
but no consent.
His cracked countenance
gives no indication
that it hurts or
that he actively resists
the daily rape from the passerby.

But each day he
spreads into nothing
spreads into nothing.

He grows weak.
staring, staring—

there is no closure.
When you took me that day
underneath the boundless crystal sky,
the lutescent sun that could never burn
as fiercely or hotly as our lust,
and the delicate fingers of the clouds
that wished (in vain) to reach with intention
the way our fingers reached toward each other,
we left patches of flattened grass
in the shape of our love in that meadow.

I went back the next day
and they were gone.

functional organs

in medieval times,
people believed that
all your feelings were stored
in your liver.

in the present day,
i drink because
i'm happy and
i deserve to celebrate.

i think these two
are connected
somehow.

if i ever tell you
i love you with all my liver,
i mean it.
and if i say that my drinking
is carving you a bigger place
to sit, then i mean that too.

livers can regrow themselves.
so too, my spirits.
oranges are tumors.
morbid.
pick, drain, and drink.
i think
what i liked best
about meeting you
twice a month
in a seedy motel 6
in a tiny town off i81
is that you never called me
a(ny) name
i couldn't live up to.
summer is a good time
for sitting outside
listening to cicadas
and wondering about ants.

do they get confused
if they get on a bus
by accident
and end up far away
from their home?

does an ant feel
scared does an ant feel
loss does an ant
worry about the future
because he hasn't found a job yet
and he can't afford to live--

probably not.
what does he know
he's just an ant

If Medusa Had a Lover

i.

Fuck me with your eyes
shut—too dangerous to risk them open.
See me like (stevie) wonder-ment:
pleasure braille coating my skin.
Read me like wanting, fold and unfold
me so many times that my dents get dents
and I become unreadable. But you’ll
remember my patterns, even if my skin doesn’t.
“Dangerous” is pejorative, but I’ve been told
I’m bad for you like cigarettes
and local news. Side Effects may include
dry mouth, constipation, and limited mobility.



ii.

I knew there could be a look of Death
but I thought I had control. So when it
snuck up behind my eyes four days ago
and implanted itself into your slurpy flesh,
my insides snaked and my hair gurgled…

Three days ago you groaned
getting out of bed, like
your limbs were heavy.
I said I was sorry, that I didn’t
mean it mean-like. But that doesn’t
change I felt you start
building up. solid.

Two days ago I reached
for you as you walked in,
but you looked at me quizzically…
like who are you and what have you done
with my lover? Retaliation?
(sharp intake of breath: hisssssss.)
Or just a side effect of the slow
crumbling?

Yesterday I tried to give you
a massage like maybe
that would ease the tension
            between us.
But you said press harder
harder love, I can’t feel you.
But I had no more strength to give.

Today I feel your
arteries harden.
your eyes are dying
into a concrete—
            Chimerism at its finest.

iii.
I’ve heard it said that revenge is best
served cold, so now I only eat ice and sleep
without blankets.

I bought a hand mirror, but when I got home
the cold was so serrated that the glass
cracked before I could.

I can’t remember what you said
that made me so mad—
            I can’t feel anything anymore either.
I will never forget
the temperature of the air
on that day. Or that you
didn’t have a beard
when I was expecting you would.

I hugged you out of nervousness—
            what is etiquette?!
The word surprise ricocheted
in my stomach, pretending it was
butterflies.

If I could have known then
what I know now, I wouldn’t
hesitate—
            but when has love
            ever made a person smarter?

Now I just go
and sit in a house I don’t believe in
and do work in the same room
as another human, share a bed
with him to spite myself.

Maybe I’ll write about this
for insincerity.

but then why does laughing put us in stitches?

I never understood why
cutting a loose thread
hanging from a fabric
makes it stop unraveling.
It doesn’t seem right that
not securing
the problem area
makes it all end. fine.

The thing about closure
within un-closure
is that making a new something
that won’t (shut)
even though the open-ness—
is attractive
is truly frightening.
Exposure always is.

I want the unraveling
the coming undone(!)
          the urgency, necessity—

exciting.

and they are doomed to repeat it

You smell like
fakeness and lies.
Where have you been?
            “no place”
oh. alright.

Your nose…
            it isn’t right!
Why is it above your eye?
            “you’re seeing things
            it’s the drugs again”
sure. that’s it. easy.

Your voice is much too
yellow. So happy for
causing so much pain…
            “I have no idea
            what you’re talking about”
i guess you never do.

That kiss is sour—no.
            bitter.
It’s never been this way before.
Who you are anymore?
            “i’m just me”

I’m having déjà vu
and I don’t know why…

            “repeat that?”

exactly.


Spidery eyelashes open and shut, but not like a danger. like a beckoning. The tendrils of my gaze wind lazily toward you, asking gently. When you don't look away, they intensify; you've shown them that it's safe to root. Their fingernails gouge your corneas--ripping you open--forcing themselves deep into your mind, rods and cones be damned. "Please?" flows from my lips; the timbre of my voice scratching the itch in your brain you never knew you had. "I'll do anything" licks your neck, oozes down your spine. The ether of my breath is intoxicating; not like a numbing but like tingles. An inch from your face-- the heat in the air smells like kissing, but not yet-- I feel your heat rising, bubbling awareness as every nerve ending awakens at my sound. "Pour it into me"-- my inky breath dissolves your last remnants of strength...


pathetic

someone told me
that emerson once said
            writing is easy. all you have to do is
            sit at a typewriter and bleed.


I tried that,
but it didn't work.

I just got re(a)d all over.

About a Boy

I picked him a flower
(I wanted to see his reaction.
It would speak volumes.)
He smiled and 
I remember liking the way that flower looked
perched in his glasses,
and the way the pollen
coated the side of his frames,
like spewing reproductive fluids
was on the corner of his brain
but not the center.

I guess it makes sense now
that the flower was a buttercup;
something about yellow meaning happiness
and happiness being with him
even though he wasn’t big on
words. But as much as he hid
I knew a tenderness was there
for me to thread the needle
of his compass and direct him
back to my safety, sew up
the gashes trauma tore in triplicate.

If I run fast enough,
my feelings can’t catch me,

But he always can.

Rule 34

I think, therefore porn.
            (because that’s what
            the rule states, you know:
if it exists, there is porn of it)
which is why there are so many
office trysts, I think.
people must have been watching
too much boss/secretary porn.
and that’s why bisexual is a
fetish—the pretty little unicorn
giggling as she teases fake from
between the legs of one and
receives lies (in the ass, of course,
because it’s filthy) from the other.
           oh hell—
that must mean god doesn’t exist…
I’ve never seen porn where Jesus comes
(ha) down off the cross and has a threesome
with His Father and the Holy Ghost.
maybe they’d throw a vagina
in there to make it more
interesting, tryin’ to race
to see who could fuck it first but
JOKE’S ON YOU THEY’RE ALL THE SAME!
            shit like that’s all the same…


But there isn’t porn of me… fuck.

L'appel du Vide

I could write a poem
about the way her nose crinkles
when it presses against the sheets—
but a physicist told me that things
don’t actually touch,
they just have electromagnetic
interaction.

It’s a little unsettling
to think of the people you love
as only atoms and that void,
like maybe all you ever really love
is nothing.
But even though she is mostly nothing
and sometimes something, I am
still insanely vertigo(ne).
It’s that primal anomaly:
when confronted with an infinite
Nothing,
all a person yearns to
hungers and thirsts for
lusts after can’t resist the temptation to
jump in.

And if she is mostly nothing
And if I am mostly nothing
And if I look on her and need nothing, then
the next time I see her, I’ll beg:
Let me dive into your dark places.
Let me taste the gap between your
atoms. I can fill your spaces.

Help Wanted

There are no job openings
for benevolent dictators,
so I went on Monster
and made one.
            I got 400,000 views
            but no replies.
Then I posted an ad
for a violent dictator.

The only reply was
from “Anonymous”—
            an image of a
            melting armadillo.
And I knew he was The One.

I sent an email
requesting an interview.
He said look around;
            I am everywhere.

Lost and ____

I do not want to be1
a female impersonator:2
the part is sick of representing the whole.3
“Who are you anyway?”4
took a little tabula rasa with her caffeine—5
me, as ever, gone6
to be beautiful…enough for someone to want.7

Can you make a double negative of8
our physicality…?9
It is important not to be fooled10
[by] a heretic’s mirror for the true story11
no matter how many pages you eat,12
but it’s also true that you can’t really know until it’s13
one of many dull aches.14

The process wobbles wildly and accelerates.15
there is no need for this—16
[a] body of flaws17
disguises the18
shapes the shapelessness was taking back.19
a world of bone seen through to!20
continue: we’ll discover where you sweat.21

We sleep together in the dark—22
(default position,23
trying to become one creature)24
it disguises the kissing and makes us less sad—25
but confuse26
equal opportunity27
with love.28
does it follow that the sleep of monsters produces reason?29
a boy just like you took me out to see them30
and he wanders among strangers all he wants31
marking a stillness we can’t keep,32
finding all of the stops.33
There are moments in our lives which, threaded, give us heaven34
Unbodied!35
because we never existed inside time,36
its pale and inconclusive utterances—37
Are you still there for me in that dark?38

Empty rooms love the dark,39
made you glad for beauty like that, casual and intense—40
the more-than-you-bargained-for surprise of it41
most delicate of manias,42
until the sound of the cataracts grows.43

The key to tranquility is44
—rule of the mad—45
(to yell is the rule here)46
Any simple problem can be made insoluble;47
water seeks its own level.48
Attention wanes,49
even in a fish tank.50



1 Carson, “Stanzas, Sections, Seductions”
2 Carson, “Stanzas, Sections, Seductions”
3 Armantrout, “Own”
4 Armantrout, “Wannabe”
5 CD Wright, “One with Others”
6 Carson, “Despite Her Pain, Another Day”
7 Armantrout, “Later”
8 Carson, “Totality: the Colour of Eclipse”
9 Carson, “Decreation”
10 Carson, “Decreation”
11 Carson, “Decreation”
12 Carson, “Decreation”
13 Armantrout, “On Your Way”
14 Armantrout, “Minimum Sum”
15 Hass, “Misery and Splendor”
16 Hass, “Late Spring”
17 Graham, “Two Paintings by Gustav Klimt”
18 Carson, “The Day Antonioni Came to the Asylum”
19 Graham, “What the End is For”
20 Graham, “San Sepolcro”
21 Carson, “Aria of Last Cherries”
22 Armantrout, “The Light”
23 Armantrout, “Just”
24 Hass, “Misery and Splendor”
25 Carson, “The Day Antonioni Came to the Asylum”
26 Armantrout, “The Light”
27 CD Wright, “One with Others”
28 Armantrout, “The Light”
29 CD Wright, “One with Others”
30 Graham, “What the End is For”
31 Hass, “The Apple Trees at Olema”
32 Graham, “Over and Over Stitch”
33 Graham, “San Sepolchro”
34 Graham, “Over and Over Stitch”
35 Graham, “What the End is For”
36 Hass, “Then Time”
37 Graham, “Over and Over Stitch”
38 Graham, “What the End is For”
39 CD Wright, “One with Others”
40 Hass, “Spring Rain”
41 Hass, “On Squaw Peak”
42 Graham, “Over and Over Stitch”
43 Graham, “What the End is For”
44 CD Wright, “One with Others”
45 Carson, “The Day Antonioni Came to the Asylum”
46 Carson, “The Day Antonioni Came to the Asylum”
47 CD Wright, “One with Others”
48 CD Wright, “One with Others”
49 Armantrout, “Poem”
50 CD Wright, “One with Others”

Monday, July 8, 2013

Under Pressure

The First Post.

...so much pressure. 

Welcome friends, and friends I haven't met yet! :)   
I'm glad to have you here. I hope you find what you're looking for.